Henry Adams has authored over 400 publications in the field of American art history, from Thomas Jefferson to Jackson Pollock.
Below are some highlights from his career. For a complete list of publications continue scrolling or click here.
Henry Adam’s publications are organized alphabetically by artist’s last name. Use the horizontal lines to the right of the screen to navigate specifically.
“Memoir: Thomas Boylston Adams,” Proceedings of the Massachusetts Historical Society, Volume CIX, 1997, published by the society, distributed by Northeastern University Press, 1998, pp. 123-142.
Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 250-51, entry on Ivan Albright, Among Those Left, 1928-29.
Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, p. 226-27, entry on John White Alexander, Studies for “The Crowning of Labor,” 1906-7.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 48-49, entry on Washington Allston, Portrait of Samuel Williams about 1817.
Entries on “Washington Allston,” “Moonlit Landscape” (by Washington Allston) and “The Titan’s Goblet” (by Thomas Cole), A Dictionary of Romanticism, Fitzroy Dearborn Publishers, London, 2003.
American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, with an annotated check-list, including apparatus, of the entire collection, Museum of Art, Carnegie Institute, May l985, pp. 127-28, Thomas Anshutz, Two Boys by a Boat, 1895.
Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 34-35, entry on Nicola di Maestro d’Ancona, Madonna and Child Enthroned with Saints Leonard, Jerome, John the Baptist and Francis, 1472.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 56-57, entry on John James Audubon, Peregrine Falcons (Duck Hawks), about 1826-29.
"George Ault, January Full Moon," American Art Review, vol. V, no. 1, Summer 1992, pp. 77, 154, with one illustration in color.
"George Ault's January Full Moon, Calendar of the Nelson-Atkins Museum of Art, January-February 1992, pp. 1-2, cover illustration in black-and-white.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 175, entry on George Ault, January Full Moon, 1941.
American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue, Museum of Art, Carnegie Institute, May l985, pp. 158-60, George Ault, Smoke Stacks, 1925.
"Thomas King Baker, 1911-1972: His Secret Life," American Art Journal, April 1997, pp. 140-145.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 38, entry on Calvin Balis, George and Emma Eastman (A Fashionable Inn), 1850.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 132, entry on Gifford Beal, West Wind, circa 1930-35.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 112-113, entry on George Bellows, Stag at Sharkey’s, 1909.
“George Bellows, “biography for website on George Bellows, established by the George Bellows Trust and Thomas French Fine Arts.
American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995, p. 18, entry on George Belows, Winter Afternoon, circa 1909.
Made in America: Ten Centuries of American Art, Hudson Hills Press, New York, 1995. Introductory essays on "Democratic Vistas," "American Impressions," pp. 67-69, "Early 20th-Century," pp. 131-132, and entries on George Bellows, Frankie, the Organ Boy, p. 136.
"The Paintings of George Bellows," exhibition review, The Burlington Magazine, vol CXXXIV, October 1992, pp. 684-687, two illustrations in black-and-white.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 116-119, entry on George Bellows, “I Was Beatin’ ‘Is Face,” 1914.
"The Paintings of George Bellows," American Artist, July 1992, pp. 52-59, 80, thirteen illustrations in color and one in black-and-white.
"George Bellows: An American Master," exhibition brochure of paintings, drawings and lithographs owned in the Kansas City region, 17 pages, twenty illustrations in black-and-white.
"George Bellows: An American Master," Calendar of the Nelson-Atkins Museum of Art, October 1991, pp. 1-2, two illustrations in black-and-white.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, three entries on paintings by George Bellows: p. 139-141, Frankie, the Organ Boy, 1907; pp. 141-42, Cleaning Fish, circa 1912; p. 142-143, Pueblo Tesuque No. 2, 1917.
A Bountiful Decade: Selected Acquisitions l977-l987 The Nelson-Atkins Museum of Art, [exhibition catalogue], edited by Roger Ward and Eliot Rowlands, October l987, entry on George Bellows.
Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 240-41, entry on George Bellows, Anne in White, circa 1920.
"Pueblo Tesuque by George Bellows," Calendar of Events, The Nelson-Atkins Museum of Art, October l985, 1 illustration in black-and-white.
Tom and Jack: The Intertwined Lives of Thomas Hart Benton and Jackson Pollock, Bloomsbury Press, New York, 2009.
Entries on Going West (drawing), A History of Water (mural project), and Strike (painting) by Thomas Hart Benton, Thomas Hart Benton’s America, Kichel Fine Art, Lincoln, Nebraska, November 2009, pages 3-5, 16, 40.
“Arts of Life in America Studies,” and “Strike,” entries on two works by Thomas Hart Benton, American Perspectives [exhibition catalogue], Kiechel Fine Art, 5733 South 34th Street, Suite 300, Lincoln, Nebraska, 68516, 2008, pages 19, and double-sided inserted page.
“Thomas Hart Benton and Martha’s Vineyard,” Benton on the Vineyard, exhibition catalogue, The Owen Gallery, New York, 19 East 75th Street, New York, New York 10021, October 2008.
“Thomas Hart Benton’s Spring Tryout, 1944,” Altermann Galleries & Auctioneers, Auction, December 15, 2007, Session I, The Hilton of Santa Fe, Santa Fe, New Mexico, essay page 45 with color plate on page 46 where I am described as a “noted authority on the works of Thomas Hart Benton.”
Entry on Thomas Hart Benton, “Harbor Scene,” 1918, 4 pages in Regionalism, Paintings & Drawings, Kiechel Fine Art, 5733 South 34th Street, Suite 300, Lincoln, Nebraska, 68516, 2007,
“Thomas Hart Benton, Hoeing Cotton,” in Portraits and Other Recent Acquisitions, 2007, Lawrence Steigrad Fine Arts, 23 East 69th Street, New York, New York, 10021.
“The Benton Fake Game,” IFAR Journal, International Foundation for Art Research, 500 Fifth Avenue, New York, Volume 9 Number 1, 2006, pages 16-27, 18 illustrations, 15 in color.
“The Drawings of Thomas Hart Benton,” American Artist: Drawing, Winter 2005, pp. 40-55, cover and 38 illustrations.
Thomas Hart Benton [exhibition catalogue], with an essay on Benton’s History of New York, Hammer Galleries, New York, March 2004.
“Thomas Hart Benton’s Boomtown,” entry for book on masterworks of the collection, Memorial Art Gallery, Rochester, written July 2003, projected publication date, 2005.
Thomas Hart Benton, “The City,” American Art, Phillips De Pury and Luxembourg, New York, December 3, 2002, pp. 94-95.
Entry on Thomas Hart Benton, G. O. P. Convention, Clevleand, 1936, in Diane De Grazia and Carter Foster, editors, Master Drawings from the Cleveland Museum of Art, The Cleveland Museum of Art in association with Rizzoli International Publications, catalogue of an exhibition which opened at the Cleveland Museum of Art (27 August—15 October 2000) and traveled to The Pierpont Morgan Library, New York (24 May—19 August 2001), pages 258-59..
Thomas Hart Benton, G.O.P. Convention, Cleveland, 1936, entries in Masterpiees of Watercolor and Drawing, The Cleveland Museum of Art, exhibition which will open at the Cleveland Museum of Art and travel to the National Gallery of Canada, Ottawa, and the Pierpont Morgan Library.
“Painters Also Rode the Rails: Thomas Hart Benton and the Railroad Song,” to be published in Waiting for a Train: Jimmie Rodgers’ America, to be published by the Wesleyan University Press in partnership with the Rock and Roll Hall of Fame, Cleveland.
"Thomas Hart Benton's mural of The Arts of Life in America," in New Britain Museum of American Art: Highlights of the Collection, Prestel, Munich, London, New York, 1999, pp. 28-33.
"Director's Letter" (acquisition of Thomas Hart Benton's June Morning, 1945), Calendar of the Cummer Museum of Art and Gardens, April 1995, unpaginated.
"Thomas Hart Benton as a Teacher," introduction to Marianne Berardi, Under the Influence: The Students of Thomas Hart Benton [exhibition catalogue], Albrecht-Kemper Museum of Art, St. Joseph, Missouri, January 1994, pp. 1-29.
"Thomas Hart Benton," to be published in Dictionary of Missouri Biography, University of Missouri Press.
"Thomas Hart Benton," and "Roy Emerson Stryker," to be published in American National Biography, Oxford University Press.
"Benton Sketchbook Donated to Museum," Calendar of the Nelson-Atkins Museum of Art, December 1992, p. 3, four illustrations in black-and-white.
"Ascesa e caduta di Thomas Hart Benton," "Gli ultimi anni," "Catalogo delle opere," "Notizia biografica," "Exposizioni principali," and "Bibliografia essenziale," in Thomas Hart Benton [exhibition catalogue], Museo d'Arte Moderna, Citta di Lugano, published by Electa, Milan, September 5-November 15, 1992, pp. 26-83, 125-132, 147-172, 173-183, 185-86, 187-88.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, entry on drawings by Thomas Hart Benton: pp. 226-8, Study for Colonial Brides, circa 1927; pp. 229-30, River Scene with Steamboat and Train, circa 1928; pp. 230-233, Four Studies for The Jealous Lover of Lone Green Valley (Portrait, Portrait of Lucy Piacenza, Portrait of Glen Rounds, Portrait of Jack Pollock), 1934; pp. 234-38, Sketchbook, circa 1938; and pp. 238-39, Preparatory Study for “Jacques Cartier Discovers thde Indians,” 1956.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri, 1991, entries on paintings by Thomas Hart Benton: pp. 182-189, The American Historical Epic, 1919-1926; p. 190, Construction, 1923; p. 191, Crapshooters, 1928; p. 192, The Sun Treader (Carl Ruggles), 1934; p. 193, Minstrel Show, 1934; p. 194, Lord Heal the Child, 1934; p. 195, Hollywood, 1937; p. 196, Persephone, 1938; p. 197, Morning Glories, 1943; p. 198, Desert Still Life, 1951; p. 199, Open Coutry, 1952; p. 200, Farm Sale with Pop and the Boys, 1963; p. 201, Trial by Jury, 1964.
"Did Benton Draw Well?" brochure to accompany an exhibition of Thomas Hart Benton's drawings, "Thomas Hart Benton: An Intimate View," circulated by Smith-Kramer Fine Arts Services, Kansas City, Missouri. Reprinted in part as "Thomas Hart Benton: An Intimate View," American Art Review, vol 5, no. 4, summer 1993, pp. 114-115.l00. "A Masterpiece of American Still Life: John Frederick Peto's Books on a Table," Calendar of Events, The Nelson-Atkins Museum of Art, September l990, cover illustration.
"Thomas Hart Benton's Illustrations for The Grapes of Wrath," San Jose Studies, Winter l990, pp. 6-l8, with twenty-two illustrations in black-and-white scattered through the issue.
Art and Artists: International Dictionary of Art and Artists, edited by James Vinson with a foreword by Cecil Gould, St. James Press, Chicago and London, l990, vol. I, Artists, pp., 64-66, 79-80, 394-396, 669-670, 788-790, 895-97; vol. II, Art, pp. 744, 745, 751, 930-31, 942-43. Biography and entry on Thomas Hart Benton's Persephone.
"Thomas Hart Benton," Southwest Art, May l990, pp. ll2-ll8, 220-22l, nine illustrations in color.
"Thomas Hart Benton's l0lst Birthday--And a New Benton for the Museum," Calendar of the Nelson-Atkins Museum of Art, April, l990.
Thomas Hart Benton: Drawing From Life, l990, Abbeville Press, 208 pp., l95 illustrations, 39 in color, and with color illustration on cover, to accompany an exhibition of l00 drawings by Thomas Hart Benton circulated by the Henry Art Gallery, University of Washington, Seattle, Washington.
"Thomas Hart Benton: Artist, Writer, Intellectual, edited by R. Douglas Hurt and Mary K. Dains" [book review], Gateway Heritage, published by the Missouri Historical Society, St. Louis, to be published in l990.
"The Legacy of Thomas Hart Benton," excerpt from Knopf book on Benton, Art/World, Fall (November, December, January), p. l0.
"Our Own Thomas Hart Benton," WETA Magazine, November l989, pp. l2-l3, two color ilustrations.
"Thomas Hart Benton: Bad Boy of the Art World," USA Today Magazine, November l989, pp. 32-44, cover illustration, l2 illustrations in color, including l double-page spread, and l in black-and-white.
Thomas Hart Benton: An American Original, April l989, published by Alfred Knopf, Inc., in association with the Nelson-Atkins Museum of Art and the WGBH Educational Foundation in Boston, 357 pp., 360 illustrations.
Kansas City Remembers Thomas Hart Benton: l889-l975, brochure for exhibition at the Federal Reserve Bank, Kansas City, April 6-May 26, l989, organized by Smith-Kramer Fine Arts Services.
Thomas Hart Benton, advertising supplement to the Kansas City Star Magazine, Sunday, April l6, l989, includes excerpts from Thomas Hart Benton: An American Original.
"Karal Ann Marling, Tom Benton and His Drawings: A Biographical Essay and a Collection of His Sketches, Studies, and Mural Cartoons," [book review], The Winterthur Portfolio, XXII, no. l, Spring l988, pp. l02-l06.
A Bountiful Decade: Selected Acquisitions l977-l987, The Nelson-Atkins Museum of Art, [exhibition catalogue], October l987, author of entries on Thomas Hart Benton.
"Benton Paintings Donated to Museum," Calendar of Events, The Nelson-Atkins Museum of Art, October l987, 2-3, four illustrations in black-and-white.
"Tom Benton's Drawings," brochure for an exhibition of drawings from the Benton Trust circulated by Smith-Kramer Art Connections, December l985.
"Thomas Hart Benton: An American Original," WGBH Educational Foundation, Boston, corporate grant proposal for a film on Benton.
Thomas Hart Benton: An Intimate View [exhibition catalogue], Fine Arts Gallery, Federal Reserve Bank, Kansas City, Missouri, October 8, l985-January 25, l986, 36 pp., l2 color and l0 black-and-white illustrations.
"Thomas Hart Benton: An Intimate View," [exhibition brochure, different text than the catalogue], pp. 5.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 76-77, entry on Albert Bierstadt, Yosemite Valley, 1866.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, two entries on paintings by Albert Bierstadt: pp. 103-104, Mountain View, Sunset, circa 1865-75; and p. 104, The Farallon Islands, Pacific Ocean, California, circa 1872.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, pp. 65-66, entry on two paintings by George Caleb Bingham: pp. 65-66, Fishing on the Mississippi, 1851; p. 67, Canvassing for a Vote (Candidate Electioneering(, 1852; pp. 76-77, Dr. Benoist Troost and Mrs. Benoist Troost, 1859; p. 78, Mrs. Robert L. Todd (Sallie Woodson Hall Todd) and daughter Matilda Tete Todd, circa 1860; p. 79, Mrs. John Bristow Wornall (Roma Johnson Wornall), 1867; p. 80, Mary Frances Ward, circa 1871; p. 81, Mrs. William Miles Chick (ann Eliza Smith Chick), circa 1870; p. 82, The Palm Leaf Shade, 1877-78; p. 83, Self Portrait, circa 1877.
Art and Artists: International Dictionary of Art and Artists, St. James Press, Chicago and London, l990, vol. I, Artists, pp., 64-66, 79-80, 394-396, 669-670, 788-790, 895-97; vol. II, Art, pp. 744, 745, 751, 930-31, 942-43. Biographies and entry on George Caleb Bingham's Fur Traders Descending the Missouri
"George Caleb Bingham's The Jolly Flatboatman," catalogue essay, American Paintings from the Manoogian Collection, National Gallery of Art, l989, pp. 64-65, one color illustration.
"Bingham Portraits Donated to the Museum," Calendar of Events, The Nelson-Atkins Museum of Art, Kansas City, June l985, 3 illustrations in black-and-white (contains previously unpublished documentation relating to Bingham's portrait of Roma Johnson Wornall).
"Letter to the Editor," The Art Bulletin, LXVI, no. 3, September l984, p. 5l5, l illustration in black-and-white (a discussion of Bingham's Fur Traders Descending the Missouri).
"A New Interpretation of Bingham's Fur Traders Descending the Missouri," The Art Bulletin, December l983, pp. 675-680, 3 illustrations in black-and-white.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 156, entry on Isabel Bishop, Girl Reading a Newspaper, 1946.
"Albert Bloch: The Invisible Blue Rider," in Albert Bloch: The American Blue Rider, [exhibition catalogue], Nelson-Atkins Museum of Art, Stadtische Galerie im Lenbachhaus, and Prestel Verlag, Munich.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 292-83, entry on Albert Block, A Cycle of Creation—The Sixth Day, 1922.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 199, p. 12, entry on Robert Blum, Figure of a Man in Middle eastern Costume Leaning Against a Wall, circa 1879.
American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue, Museum of Art, Carnegie Institute, May l985, pp. 160-163, entry on Peter Blume, Study for “South of Scranton” (Crow’s Nest, 1930.
American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, pp. 39-43, entires on David Gilmore Blythe, Portrait of the Artist, circa 1848 and A Free Trade Man, circa 1854-58.
Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 174-75, entry on David Gilmore Blythe, Post Office, circa 1862-64.
“Eric Bransby and Modern Mural Painting,” in Eric and Maryanne Bransby [exhibition catalogue], Colorado Springs Fine Arts Center, June 2001.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, entries on two paintings by Georges Braque: p. 59, Le Semaphor, circa 1929; p. 65, Still Life on Red Tablecloth, 1936.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 147, entry on Ross Braught, Tchaikovsky’s “Sixth Symphny” (Mako Sica), 1934.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, pp. 94, entry on Alfred Thompson Bricher, Schooner Close-Hauled, circa 1882.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 150, entry on Alexander Brook, Portrait Head, 1937.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, pp. 25-26, entries on Mather Brown, Portrait of a Man and Portrait of a Woman, circa 1805.
Entry on Charles Burchfield, Rainy Winter Night, 1917, in Diane De Grazia and Carter Foster, editors, Master Drawings from the Cleveland Museum of Art, The Cleveland Museum of Art in association with Rizzoli International Publications, catalogue of an exhibition which opened at the Cleveland Museum of Art (27 August—15 October 2000) and traveled to The Pierpont Morgan Library, New York (24 May—19 August 2001), pages 2238-239..
"A heartland artist who broke the old regionalist mold" [article on Charles Burchfield's paintings of Salem, Ohio and Buffalo, New York], Smithsonian, May 1997, vol. 28, no. 2, p. 58-69, 11 illustrations in color.
"Charles Burchfield's Creative Imagination," The Paintings of Charles Burchfield: North by Midwest, Harry N. Abrams Publishers in Association with the Columbus Museum of Art, 1998, Washington D.C., pp. 110-125.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 19, entry on Chalres E. Burchfield, In the Swamp, 1917.
Henry Adams, The Beal Collection of American Art, The Carnegie Museum of Art, Pittsburgh, Pennsylvania, 1994, discussion of Charles Burchfield, pp. 30-34.
American Drawings and Watercolors from the Kansas City Region, The Nelson-Atkins Museum of Art, Kansas City, 1992, pp. 243-246, entry on Edge of Town, 1921-41; pp. 247-249, entry on Drought Mirage, 1952-61.
American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, pp. 148-50, entires on Charles Burchfield, Moon Through Young Sunflowers, 1916 and Wires Down, 1920.
Introduction to book by Michael Hall, Emerson Burkhart: An Ohio Painter’s Song of Himself, Columbus Museum of Art, 2008.
“What Happened to Byron Browne?” introduction to Byron Browne [exhibition catalogue], Melvin Art Gallery of Florida Southern College, Lakeland, Florida, September 13-October 12, 2001.
“Vincent Campanella: Classical Abstractionist,” American Art Review, Vol, XIV, No. 5, September-October 2007, pp. 158-165, 16 illustrations in color.
“Vincent Campanella,” principle essay in Vincent Campanella: Classical Abstractionist [exhibition catalogue], The Albrecht-Kemper museum of Art, St. Joseph, Missouri, September 15-November 4, 1007, and Park University, Campanella Gallery, Parkville, Missouri, September 16-November 2, 2007, pp. 8-45, 80 illustrations in color.
"Jim Cantrell," Southern Arts Federation/National Endowment for the Arts: 1994 Fellowships, Southern Arts Federaton, Atlanta, Georgia, unpaginated; reprinted in New Art Examiner, November 1994, center section, unpaginated.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 250-51, entry on Clarence Carter, Immortal Water (Kentucky Pastoral), 1932.
Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 254-55, entry on Clarence Carter, War Bride, 1940.
American Drawings and Watercolors from the Kansas City Region,[exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, entries on three works by Mary Cassett: pp. 24-26, Au Theatre, circa 1879; pp. 27-29, Portrait of the Artist’s Brother, Alexander Cassatt; pp. 30-31, Dorothy in a Very Large Bonnet and a Dark Coat, circa 1904. .
Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 198-199, entry on Young Woman picking Fruit, 1891.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 29, entry on James Chapin, Ruby Green Singing, circa 1928.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, pp. 64-65, entry on John Gadsby Chapman, A Lazy Fisherman, 1844.
Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 64-65, entry on Jean-Baptiste-Simeon Chardin, Glass of Water and Coffeepot, circa 1761.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 104-105, William Merritt Chase, Portrait of Dora Wheeler, 1882-83.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 13, entry on William Merritt Chase, Landscape, circa 1908.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, entries on three paintings by William Merritt Chase:pp. 46-47, Hugo von Habermann, 1875; pp. 47-48, Edward Steichen, circa 1903; pp. 48-49, William Rockhill Nelson, 1907; pp. 58-59, Still Life-Striped Bass, circa 1907; and pp. 128-29, Beach, circa 1895.
Dale Chihuly: Thirty Years in Glass, 1966-1996, UMB Financial Corporation, Kansas City, Missouri, 1996, 75 pp., 30 illustrations in color.
"Message from the Director" (Letter from Chihuly's Boathouse), The Kemper Contemporary, The Kemper Museum of Contemporary Art, Kansas City, Number 96:4, Fall 1996, unpaginated.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 74-75, entry on Frederic Edwin Church, Twilight in the Wilderness, 1860.
Made in America: Ten Centuries of American Art, Hudson Hills Press, New York, 1995. Author of entry on Frederic Church, Jerusalem, pp.61.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, pp. 89-90, entry on Frederic Edwin Church, Jerusalem from the Mount of Olives, 1870.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 62-62, entry on Thomas Cole, View of Schroon Mountain, Essex County, New York, After a Storm, 1838; and pp. 82-83, Thomas Cole, View of Florence, 1837.
"The American Land Inspired Cole's Prescient Visions," Smithsonian Magazine, May 1994, pp. 98-107, 8 illustrations in color.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, p. 38, entry on John Singleton Copley, Portrait of Anna Dummer Powell, 1764; p. 40-41, entry on Portrait of Nathaniel Hurd, about 1765..
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, pp. 16-17, entries on John Singleton Copley, Mr. John Barrett, circa 1758 and Mrs. John Barrett (Sarah Gerrish Barrett), circa 1758.
Entry on John Singleton Copley, A Hussar Officer on Horseback, 1812, in Diane De Grazia and Carter Foster, editors, Master Drawings from the Cleveland Museum of Art, The Cleveland Museum of Art in association with Rizzoli International Publications, catalogue of an exhibition which opened at the Cleveland Museum of Art (27 August—15 October 2000) and traveled to The Pierpont Morgan Library, New York (24 May—19 August 2001), pages 202-203.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 140-141, entry on John Rogers Cox, Gray and Gold, 1942.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 41-42, entry on Kenyon Cox, Study for the Figure of Rectitude (Study for the Murals fin the Luzerne County Courthouse, Wilkes-Barre, Pennsylvania), circa 1909.
"Life Lines: The Drawings of Samuel Crone," in Return to Memphis: The Art of Samuel Hester Crone (1858-1913), exhibition catalogue, Art Museum, University of Memphis, September 6-November 8, 1997, pp. 10-63, aproximately 100 illustrations in black-and-white.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 92, entry on Jasper Croopsey, Stonehenge, 1876.
"Space, Weather, Myth, and Abstraction in the Art of John Steuart Curry," in John Steuart Curry: Inventing the Middle West, exhibition catalogue, the Elvehjem Museum of Art, Madison, Wisconsin, 1997, pp. 111-128.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, entries on two works by John Steuart Curry: pp. 252-53, Hogs Killing a Rattlesnake, 1925; pp. 254-55, Kansas Mother (Study for the Murals in the Kansas State Capitol), 1937.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 169, entry on Andrew Dasburg, Loren Mozley, 1928.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 70-71, entry on Alexander Jackson Davis, Side Chair, about 1858.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 22, entry on Stuart Davis, New York Mural, 1932.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City. Cover and 31 illustrations in color, 133 illustrations in black-and-white, 381 illustrations in black-and-white in check-list. Author of acknowledgements, introduction, and entries on Arthur B. Davies.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 118-119, entry on Manierre Dawson, Differential Complex, 1910.
“The First Abstract Painter,” in Manierre Dawson, Hollis Taggart Galleries, October 1999, pp. 10-57.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 21, entry on Manierre Dawson, Wharf, 1913.
Clara Deike: The Unknown Paintings, exhibition catalogue, William Tregoning Fine Arts, Chagrin Falls, Ohio, May 2005.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 28, entry on Charles Demuth, Still Life: Radishes and Leaves, circa 1923. .
The Beal Collection of American Art, The Carnegie Museum of Art, Pittsburgh, Pennsylvania, 1994, discussion of Charles Demuth, pp. 34-39.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 285-287, entry on Charles Demuth, Sails, 1919.
"The Beal Collection of Watercolors by Charles Demuth," Carnegie Magazine, LVI, no. l2, November-December l983, pp. 2l-28, article with catalogue listing provenance, exhibition history and references, 6 illustrations in color, 7 in black-and-white.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 62, entry on Andre Derain, Eperon, Paysage d’Hiver, n.d.
Entry on Thomas Wilmer Dewing, Gloria, 1884, in Diane De Grazia and Carter Foster, editors, Master Drawings from the Cleveland Museum of Art, The Cleveland Museum of Art in association with Rizzoli International Publications, catalogue of an exhibition which opened at the Cleveland Museum of Art (27 August—15 October 2000) and traveled to The Pierpont Morgan Library, New York (24 May—19 August 2001), pages 212-213.
Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 210-211, entry on Thomas Wilmer Dewing, Morning Glories (folding screen), circa 1900.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, pp. 174-75, entry on Edwin Dickinson, Shiloh, 1940.
American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, pp. 75-76, entry on Frederick Dielman, A Visit from the Bumboat Near Troy, 1879.
“George Dombek: Bicycles and Stones,” The Butler Institute of American Art, Youngstown, Ohio, June 2003.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 126-27, entry on Arthur Dove, Pine Tree, 1931.
The Beal Collection of American Art, The Carnegie Museum of Art, Pittsburgh, Pennsylvania, 1994, discussion of Arthur Dove, pp. 44-47.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 170, entry on Arthur Dove, Tree, 1934.
"Rackstraw Downes Discusses The Dam at Swanville," Carnegie Magazine, LVI, no. 8, March-April l983, pp. l2-l5 and 38, 1 illustration in color and 4 in black-and-white.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 53, entry on Raymond Duchamp-Villon, Portrait of Baudelaire, 1911.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 50, entry on four paintings by Raoul Dufy: p. 50, Nude on a Pink Sofa, 1902; p. 67, Taormina, 1922; p. 67, Paysage au Ferme, n.d. ; and p. 67, Le Concours Hippique, 1924.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 80-81, entry on Robert Duncanson, Valley of Lake Pepin, Minnesota, 1862.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 68-69, entry on Asher B. Durand, Trees on a Rocky Hillside, about 1849.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 90-91, entry on Thomas Eakins, The Biglin Brothers Turning the Stake, 1873.
“Free The Gross Clinic?” The Los Angeles Times, Opinion, Saturday, December 16, 2006, A27.
“Despite its twist on tradition, portrait of painter Thomas Eakins is blemished,” review of William S. McFeely, Portrait: The Life of Thomas Eakins, in The Chicago Tribune: Living/Books, November 26, 2006.
“The Tragic Vision of Thomas Eakins,” Fine Art Connoisseur, November/December 2006, 9 color illustrations, pages 49-54.
“Some ‘New’ Letters by Thomas Eakins’s Brother-in-Law, Frank Stephens,” Archives of American Art Journal, vol., 44, nos. 3-4, 2004, pp. 14-20, cover illustration and 5 illustrations in black-and-white.
Eakins Revealed: The Secret Life of an American Artist, Oxford University Press, 2005, 583, pp., 200 illustrations.
Made in America: Ten Centuries of American Art, Hudson Hills Press, New York, 1995. Author of entries on Thomas Eakins, Monsignor James P. Turner, p. 84.
"Thomas Eakins: the troubled life of an artist who became an outcast," Smithsonian Magazine, November 1991, pp. 52-69, six illustrations in color and three in black-and-white.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991,entries on two paintings by Thomas Eakins: pp. 49-51, Monsignor James P. Turner, circa 1906; p. 72, Frances Eakins, circa 1870..
"Thomas Eakins and the Heroism of Modern Life by Elizabeth Johns," [book review] The Art Bulletin, LXVIII, no. 2, June l986, 345-348.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 22, entry on Ralph Earl, General Gabriel Christie, circa 1784-85.
“Edris Eckhardt: An artist’s life,” in Edris Eckhardt, Visionary and Innovator in American Studio Ceramics and Glass, author of essays pp. 13-44. Reviewed by Dan Tranberg, “Making Many Faces,” The Plain Dealer, Cleveland, Ohio, Thursday, February 23, 2006, Section F., pages, 1, F3.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 68, entry on Francis William Edmons, The Thirsty Drover, circa 1856.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, entries on two sculptures by Jacob Epstein: p. 64, Oriel Ross, 1931; and p. 64, Portrait Head of Albert Einstein, 1936.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 67, entry on Max Ernst, L’Oiseau, n.d.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, entries on three works by Lyonel Feininger: pp. 288-89, Vollersroda III, 1914; pp. 290-91, Die Regler Kirche, Erfurt, 1924; pp. 292-93, Fischer Flotte, 1927.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, p. 36-37, entry on Robert Feke, Portrait of Charles Apthorp, 1748.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 23, entry on John Flanagan, Ram, 1929.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 45-47, entry on John Flanagan, Nude Profile, circa 1936.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, pp. 55-56, entry on George Forster, Still Life, 1871.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995. Introduction and entries on works by Sam Francis.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 117, entry on James Earle Fraser, End of the Trail, 1918.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 42, entry on Eugene Fromentin, The Rest, 1872.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 50-51, entry on Desk and Bookcase, about 1780, attributed to the workshop of Benjamin Frothingham.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, pp. 99-101, entry on George Fuller, Hannah, 1880.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 29, entry on Robert Fulton, Self-Portrait circa 1807.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995. Introduction and entries on works by Seldon Conner Gile.
"H. Barbara Weinberg's The American Pupils of Jean-Leon Gerome," book review, The Burlington Magazine, CXXVIII, no. l002, September l986, 683.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 66-67, entry on Sanford R. Gifford, A Home in the Wilderness, 1866.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, entry on Regis Francois Gignoux, Winter, 1853.
American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995, p. 16, entry on Selden Connor Gile, Two Fishermen and Boat, circa 1916-18.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 145-46, entry on William Glackens, Beach Side, 1914.
Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 222-223, entry on William J. Glackens, In Town It’s Different, 1898.
American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, pp. 198, entry on Arshile Gorky, Untitled, circa 1937-38.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 30, entry on John Grabach, Sidewalks of New York, n.d.
Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 264-65, Portrait of a Woman, 1952.
"John Graham's Woman in Black and a Related Drawing: The Evolution of an Image," Arts, LIX, no. 4, May l985, pp. 95-97, 4 illustrations in black-and-white.
American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, entry on John Graham, Portrait of a Woman, 1943-53.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 120-121, entry on Charles Sumner Greene and Henry Mather Greene, Secretary, about 1911.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, pp. 23-24, entry on The McGoldrick Family, circa 1835, attributed to Ethan Allen Greenwood.
"Frank Gunter: A Tribute" [exhibition catalogue], Memorial Union Gallery, University of Wisconsin at Madison, November l984.
Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 46-47, Frans Hals, Pieter Cornelisz. Van der Morsch (Man with Herring), 1616.
American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995, p. 39, entry on Duane Hanson, Young Worker, 1976.
"A Study in Contrasts: The Work of Harnett and La Farge," William M. Harnett [exhibition catalogue], The Metropolitan Museum of Art, New York, l992, pp. 60-71, eight illustrations in black-and-white.
"Will the real William Harnett please stand up?" Smithsonian Magazine, March, 1992, pp. 52-63, cover illustration in color, eleven color illustrations and one illustration in black-and-white.
Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 202-203, entry on William Michael Harnett, Trophy of the Hunt, 1885.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 294-95, entry on George Overbury Hart, Two Boat Captains, Florida, 1917.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, entry on William Hart, Coastal Scene, 1865.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 122-123, entry on Marsden Hartley, Military, 1914-15.
Made in America: Ten Centuries of American Art, Hudson Hills Press, New York, 1995. Author of entry on Marsden Hartley, Himmel, p. 138.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 296-97, entry on Marsden Hartley, Pears and Lemons with Vase, 1927.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, entry on two paintings by Marsden Hartley:pp. 164-65, Himmel, 1915; and pp. 166-67, Mt. Katahdin—November Afternoon, 1942.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 108-109, entry on Childe Hassam, Fifth Avenue, 1919.
American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], May 1995, p. 15, entry on Childe Hassam, Gloucester Harbor, 1909.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 127-128, entry on Child Hassam, The Sonata, 1893.
"Museum Receives American Impressionist Painting [Child Hassam's The Sonata]," Calendar of Events, The Nelson-Atkins Museum of Art, September l987, pp. l-2, one illustration in black-and-white.
Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 206-07, entry on Child Hassam, Fifth Avenue in Winter, circa 1892.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 129, entry on Charles W. Hawthorne, The Piano Lesson, n.d.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 78-79, entry on Matin Johnson Heade, Point Judith, Rhode Island, about 1867-68.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, pp. 91, entry on Martin Johnson Heade, After the Rain in the Salt Marshes (Marsh Scene), circa 1874.
Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 178-79, entry on Martin Johnson Heade, Thunderstorm at the Shore, circa 1870.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 20, entry on Robert Henri, Portrait of a Boy (Sonny Mac), 1923.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, entries on two paintings by Robert Henri: pp. 134-135, Portrait of an Irish Boy (Thomas Cafferty), 1925; p. 135, Girl in a Green Coat (Sissy’s Sister Mary), 1927.
A Bountiful Decade: Selected Acquisitions l977-l987 The Nelson-Atkins Museum of Art, [exhibition catalogue], October l987. Author of entries on Robert Henri.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 14-15, entry on three paintings by John Hesselius, Brigadier General John Dent, n.d, Mrs. John Dent, n.d., and Ann Herbert Dent, n.d.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, entry on two paintings by Edward Hicks: p. 26, Andrew Jackson, after 1841; and pp. 62-63, The Peaceable Kingdom, 1849.
Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 170-171, entry on Edward Hicks, The Residence of David Twining in 1785, circa 1845-8.
"An Interview with David Hockney," Carnegie Magazine, LVI, no. 8, March-April l983, pp. l0-ll and 20-2l, color illustration as cover of magazine and 2 illustrations in black-and-white.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, 496 pp., 140 entries, with illustrated check-list of all American drawings and watercolors up to 1945 in The Nelson-Atkins Museum of Art, Kansas City, and the Spencer Museum of Art, Lawrence, Kansas. Cover and 31 illustrations in color, 133 illustrations in black-and-white, 381 illustrations in black-and-white in checklist. Author of acknowledgements, introduction, and entries on Hans Hofmann.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 96-97, entry on Winslow Homer, The Brierwood Pipe, 1864; and pp. 98-99, entry on Winslow Homer, Early Morning after a Storm at Sea, 1902..
Entry on Winslow Homer, Boy with Anchor, 1873, and Leaping Trout, 1889, in Diane De Grazia and Carter Foster, editors, Master Drawings from the Cleveland Museum of Art, The Cleveland Museum of Art in association with Rizzoli International Publications, catalogue of an exhibition which opened at the Cleveland Museum of Art (27 August—15 October 2000) and traveled to The Pierpont Morgan Library, New York (24 May—19 August 2001), pages 208-209, and 210-211.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, pp. 12-13, entry on Winslow Homer, The Log Jam, Hudson River at Blue Ledge, 1889, and View from Cape Diamond, Levis, Quebec, 1895. .
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, entries on three works by Winslow Homer: pp. 96-97, Schooner and Dories, 1884; ppl. 98-99, West India Divers, 1899; pp. 168-69, Among the Oaks (Live Oaks), 1886.
"The Fog Warning," reprint of text from "Mortal Themes, Winslow Homer" (article no. 9), in Kay Alexander and Michael Day, Learning to Look and Create: The SPECTRA Program, Unit 2, "Understanding Art," Lesson 5, "Metaphor and Meaning," Addison-Wesley Publishing Company, 1993.
"Winslow Homer in the 1870s, Winslow Homer in Gloucester, Winslow Homer in the 1890s, and Reckoning with Winslow Homer" [exhibition review], The Burlington Magazine, June, 1991, pp. 407-408, three illustrations in black-and-white.
Handbooks of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missour, 1991, ,pp. 73-74, entry on Winslow Homer, Gloucester Harbor, 1873.
"Winslow Homer's 'Impressionism' and Its Relation to His Trip to France," Studies in the History of Art 26, National Gallery of Art, Washington D. C., l990, pp. 60-89.
"The Identity of Winslow Homer's 'Mystery Woman,'" The Burlington Magazine, vol. CXXXII, no. l045, April l990, pp. 244-252, sixteen illustrations in black-and-white.
Art and Artists: International Dictionary of Art and Artists, St. James Press, Chicago and London, l990, vol. I, Artists, pp., 64-66, 79-80, 394-396, 669-670, 788-790, 895-97; vol. II, Art, pp. 744, 745, 751, 930-31, 942-43. Biographies and entries on Winslow Homer's The Gulf Stream.
American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, pp. 52-56, entires on Pumpkins Among the Corn, 1878, Fisher Girls, 1882, and Figures on the Coast, 1882, and pp. 57-59 entries on A Wreck Near Gloucester, 1880, and Watching fron the Cliffs, 1892.
Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 212-13, entry on Winslow Homer, The Wreck, 1896.
"Winslow Homer's Mystery Woman," Art and Antiques, November l984, 38-45, 9 illustrations in color, including the cover of the magazine.
"Winslow Homer's 'Shall I Tell Your Fortune?" The Birmingham Museum of Art Bulletin, June l983, 6 pp. l illustration in color and 7 in black-and-white.
"Mortal Themes: Winslow Homer," Art in America, LXXI, no. 2, February l983, pp. ll2-l26, l0 illustrations in color, including cover and double-page spread, ll in black-and-white.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 136-37, entry on Edward Hopper, Hills, South Truro, 1930.
The Beal Collection of American Art, The Carnegie Museum of Art, Pittsburgh, Pennsylvania, 1994, discussion of Edward Hopper, pp. 39-44..
Entry on Edward Hopper, Lighthouse Village (also known a Cape Elizabeth), 1929, in Diane De Grazia and Carter Foster, editors, Master Drawings from the Cleveland Museum of Art, The Cleveland Museum of Art in association with Rizzoli International Publications, catalogue of an exhibition which opened at the Cleveland Museum of Art (27 August—15 October 2000) and traveled to The Pierpont Morgan Library, New York (24 May—19 August 2001), pages 252-3.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 27, entry on Edward Hopper, August in the City, 1945.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, entires on three watercolors by Edward Hopper: pp. 303-304, Civil War Campground, 1926; pp. 306-306, The Dory (Two Lights, Maine), 1929; p. 307, Route 14, Vermont, 1937.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 158, entry on Edward Hopper, Light Battery at Gettysburg, 1940.
Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 252-53, entry on Edward Hopper, Cape Cod Afternoon, 1936.
American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, ppp. 170-71, Saltillo Rooftops, 1943.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 257-59, entry on Earl Horter, Storefront, 28th Street, New York, n.d.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 84-85, entry on Harriet Goodhue Hosmer, The Sleeping Faun, after 1865.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, pp. 111-113, entry on John Dare Howland, Hunting Buffalo on the Plains (Buffalo Hunt), circa 1870.
"William Morris Hunt's 'Chef d'Oeuvre Inconnu,'" Proceedings of the New York State Capitol Symposium, Temporary State Commission on the Restoration of the Capitol, Albany, New York, l983, pp. 96-l05 and l87-l9l, l9 illustrations in black-and-white.
"The Development of William Morris Hunt's The Flight of Night," The American Art Journal, XV, no. 2, Spring l983, pp. 43-52, 8 illustrations in black-and-white.
"The Contradictions of William Morris Hunt," in William Morris Hunt: A Memorial Exhibition, Museum of Fine Arts, Boston, June l979, pp. 20-34, l6 illustrations in black-and-white.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 152, entry on Peter Hurd, Jose Herrera, 1938.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 35, entry on Henry Inman, Mother and Son, circa 1840.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 100-101, entry on George Inness, Landscape, 1888.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 12, entry on George Inness, Along the Delaware, 1878.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, entries on three paintings by George Inness: pp. 96-97, The Brush Burners, 1884; pp. 97-98, Overlooking the Hudson at Milton, 1888; pp. 98-99, Old Farm—Montclair, 1893.
Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 204-5, entry on The Clouded Sun, 1891.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 39, entry on Chauncey Ives, Portrait Bust of a Woman, 1878.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp 206-7, entry on Frederic James, White Sycamore, 1967.
Frederic James, l9l5-l985: A Painter from Kansas City, [exhibition catalogue], Nelson-Atkins Museum of Art, Kansas City, October l986, typescript of 33 pp., 40 illustrations in black-and-white.
"William James, Henry James, John La Farge, and the Foundations of Radical Empiricism," The American Art Journal, XVII, Winter l985, 60-67.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, pp. 33-34, entry on Samuel Lovett Waldo, assisted by William Jewett, Mr. Hutchins and Mrs. Hutchins, circa 1835.
Handbooks of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1990, pp. 74-75, entry on Eastman Johnson, Reading the Bible, circa 1877-78.
Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 172-73, entry on Eastmans Johnson, My Jew Boy, 1852.
Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985. Author of entries on works by John Kane.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, pp. 107-109, entry on William Keith, Sunset Glow, 1896.
"Behind the Scenes--William Keith Painting Restored," Calendar of Events, The Nelson-Atkins Museum of Art, September l985, pp. 4 and 6, 2 illustrations in black-and-white.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, pp. 88-89, entry on John Frederick Kensett, A Woodland Waterfall, circa 1855.
"Woodland Waterfall," The Antique Collector, LVIII, no. l, January l987, 52-53, l illustration in color.
"John F. Kensett's A Woodland Waterfall," Calendar of Events, The Nelson-Atkins Museum of Art, September l986, one illustration in black-and-white.
Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 180-181, John Frederick Kensett, Long Neck Point from Contentment Island, Darien, Connecticut, circa 1870-72.
“Rockwell Kent’s Garden of the Gods,” The Kent Collector, Spring 2003, vol. XXIX, No. 1, pp. 9-15, Plattsburgh State Art Museum, Plattsburgh State University of New York.
"Rockwell Kent's Illustrations to Moby Dick," conclusion of article from summer issue, The Rockwell Kent Collector, vol. XIX, no. 2, Fall 1992, pp. 3-8, 8 illustrations in black-and-white.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 262-263, entry on Man with Pitchfork, circa 1939.
"Rockwell Kent's Illustrations to Moby Dick," The Rockwell Kent Collector, Summer 1992, Vol. XIX, no. 1, pp. 3-8.
The Beal Collection of American Art, The Carnegie Museum of Art, Pittsburgh, Pennsylvania, 1994, discussion of William Kiennbusch, pp. 49-50.
Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 220-221, entry on A. F. King, A Late Night Snack, circa 1895.
The Arrogant Connoisseur: Richard Payne-Knight, l75l-l824, edited by Michael Clark and Nicholas Penny," (book review), Jim Springer Borck, general editor, The Eighteenth Century: A Bibliography, n.s. 8--for l982, A M S Press, New York, l982.
"Introduction," in Henry Koerner: From Vienna to Pittsburgh, The_Art of Henry Koerner, (exhibition catalogue), Carnegie Institute Museum of Art and University of Pittsburgh Press, May l983, pp. 9-26, 8 illustrations.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 30, entry on Leon Kroll, Hilda, 1947.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 12, entry on Justus Engelhardt Kuhn, Portrait of a Girl, circa 1710.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 208-209, entry on Walt Kuhn, Red & Dutch Budwesier Hall, 1936.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 170, Walt Kuhn, Juggler, 1934.
“John La Farge’s South Sea Sketchbooks: Their Nature and Their Significance,” in Lisa Hodermarsky, editor, John La Farge’s Second Paradise: Voyages to the South Seas, 1890-1891, The Yale University Art Gallery in association with Yale University Press, 2010.
Entry on John La Farge for the Encyclopedia of American art, edited by Joan Marter, Oxford University Press.
“John La Farge,” entry for Encyclopedia of American Art before 1914, Macmillan, London, 2000.
Entry on John La Farge, A Rishi Stirring Up a Storm, 1897, in Diane De Grazia and Carter Foster, editors, Master Drawings from the Cleveland Museum of Art, The Cleveland Museum of Art in association with Rizzoli International Publications, catalogue of an exhibition which opened at the Cleveland Museum of Art (27 August—15 October 2000) and traveled to The Pierpont Morgan Library, New York (24 May—19 August 2001), pages 218-19.
Made in America: Ten Centuries of American Art, Hudson Hills Press, New York, 1995. Entry on John La Farge, Peonies Blowing in the Wind, p. 118.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, entries on four works by John La Farge: pp. 58-60, Lamplight Study (Margaret Perry La Farge), 1865; pp. 61-
Tongan Girl with Fan, circa 1891; pp. 172-74, Study of Pink Hollyhocks in Sunlight, from Nature, circa 1879; p. 174, Hollyhocks, circa 1879.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, pp. 118-121, entry on John La Farge, Peonies Blowing in the Wind with Kakemono Border, 1889.
"John La Farge," biographical entry, The Dictionary of Art, Macmillan Publishers Limited, London, one illustration in black-and-white.
"Stained Glass Masterpiece Donated to Museum" (John La Farge's Peonies Blown in the Wind), Calendar of Events, Nelson-Atkins Museum of Art, December l989.
"The Mind of John La Farge," lead essay in John La Farge [book/exhibition catalogue], Abbeville Press, New York, l987.
"John La Farge, the Inventive Maverick," Smithsonian Magazine, July l987, 46-59, cover illustration, two color fold-outs, and six color illustrations.
"John La Farge," brochure for La Farge exhibition (different text than above).
"Addenda to La Farge and Japan," The Art Bulletin, LXVIII, June l986, 328-329.
Masterworks of the Museum of Art, Carnegie Institute, Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 176-77, entry on John La Farge, Roses on a Tray, circa 1861.
"John La Farge, the Father of Mural Painting and Art Glass in America," Temple Bulletin, Congregation b'Nai Jehudah, XL, no. 22, January l3, l986, 2, l illustration in black-and-white.
"John La Farge's Discovery of Japanese Art: A New Perspective On the Origins of Japonisme," The Art Bulletin, LXVII, no. 3, September l985, 449-485, 2 appendices, 4l illustrations in black-and-white.
American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, pp. 64-666, entry on John La Farge, A Woman in Japanese Costume at an Easel, 1868, and pp. 67-69, Sitting Siva Dance, circa 1894.
"Regaining Paradise: Artist John La Farge and Historian Henry Adams Found Spiritual Renewal in the South Seas," Art and Antiques, March l985, 60-65, 5 color illustrations.
"William James, Henry James, John La Farge, and the Foundations of Radical Empiricism," The American Art Journal, XVII, Winter l985, 60-67, 6 illustrations in black-and-white, including back cover.
"John La Farge and Japan," Apollo, CXIX, no. 974, February l984, pp. l20-l29, 22 illustrations in black-and-white.
"John La Farge's Roses on a Tray," Carnegie Magazine, January-February l984, pp. l0-l4, cover illustration in color and 3 illustrations in black-and-white.
"Barbara Weinberg's The Decorative Work of John La Farge," (book review) Journal of the Society of Architectural Historians, XXXIX, no. 4, December l980, pp. 332-333.
"A Fish by John La Farge," The Art Bulletin, June l980, pp. 269-280, 27 illustrations in black-and-white.
"The Stained Glass of John La Farge," The American Art Review, II, no. 4, July-August l975, pp. 4l-63, l4 illustrations in color and 5 in black-and-white.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 24, entry on Gaston Lachaise, Portrait of John Marin, 1928.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 167-68, entry on Gaston Lachaise, John Marin, 1928.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 58-59, entry on Fitz Henry Lane, Harbor of Boston with the City in the Distance, about 1846-47.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 144-45, entry on Jacob Lawrence, Fulton and Nostrand, 1958.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 264-66, entry on Jacob Lawrence, Home Chores, 1945.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, entries on: p. 17, Ernest Lawon, Railroad Track, n.d.; p. 20, Hoboken Heights, circa 1920; p. 20, Hoboken Water Front, circa 1930.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, entry on two paintings by Ernest Lawson: pp. 136-37, Woodland Scene, circa 1891-92; p. 137, On the Harlem, n.d.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, entries on two paintings by Fernand Leger: p. 58, Le Viaduc, 1925; and p. 68, Bicycle Riders, 1944.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, pp. 178-79, entry on Leonid (Berman), Port Jefferson, 1949.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 14, entries on Hayley Lever, Summer in Gloucester, 1913, and Back Road in Woodstock, New York, 1932.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, entries on: p. 63, Jacques Lipchitz, Study for the Song of the Vowels, 1931; Study for “Sacrifice,” 1946; p. 63, Rescue, 1947.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 310-311, entries on two works by Jacques Lipchitz, both titled Study for Theseus, 1942.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, entries on two works by Ward Lockwood: pp. 267-68, Lockwood Living Room, Ledoux Street, Taos, circa 1928; pp. 269-71, Settling of the West (Study for Washington Post Office Murals), 1936.
American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, pp. 188-191, entry on Louis Lozowick, Composition with Red Circles, 1927.
American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995, entries on two paintings by George Luks: p. 17, An Old Pal, n.d; and p. 29, Woman with Doll, n.d.
American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995, p. 51, entry on Aristide Maillo, Isle de France (torso), circa 1910.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 163, entry on Stanton MacDonald-Wright, Self Portrait, circa 1908.
Masterworks of the Museum of Art, Carnegie Institute, Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 238-39, entry on Stanton Macdonald-Wright, Sunrise Synchromy in Violet, 1918.
"Benton's 'Closest Friend' Enters Collection" (an early self-portrait by MacDonald-Wright), Calendar of the Nelson-Atkins Museum of Art, March l99l, p. 3, one illustration in black-and-white.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 69-70, entry on Duncan McFarlane, The Ship Granite State, 1862.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, pp. 171-2, entry on Henry McFee, Fruit and Leaves, 1938.
American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995, p. 13, entry on Frederick MacMonnies, Bachanete, 1894.
American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995. Entries on works by Aristide Maillol.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 21, entry on Edward Middleton Manigault, Nymph and Pierrot (Eyes of Morning), n.d.
American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995, p. 23, entires on: p. 23, Paul Manship, Mother and Child, 1918; and p. 24, Europa and the Bull, 1924.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 38, entry on Paul Manship, Head of Abe Lincoln, the Hoosier Youth, circa 1932.
Review of Paul Manship by Harry Rand, The Burlington Magazine, January l990, pp. 46-47.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, entries on three watercolors by John Marin: pp. 312-13, Houses, Stonington Maine, 1923; pp. 314-15, Boat and Sea, Maine, 1932; pp. 316-17, Cape Split, Maine, 1938.
American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995, p. 26, entry on Reginald Marsh, Golden Horseshoe, 1940.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, entries on two watercolors by Reginald Marsh: pp. 272-73, 20 South Street, 1939; pp. 274-75, Triboro Fools, 1939.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 134-35, entry on Reginald Marsh, A Paramount Picture, 1934.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, entries on three paintings by Reginald Marsh: pl 26, Golden Horseshoe, 1940; and Italian Suite, 1940; and Bowery Bums, 1947
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, entries on two watercolor by Reginald Marsh: pp. 272-273, Twenty South Street, 1939; pp. 274-75, Triboro Fools, 1939.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, pp. 155-56, entry on Reginald Marsh, Street Scene, Twelfth Avneue, 1928.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 38, pp. 152-53, entry on Fletcher Martin, Celebration, 1939.
"Homer D. Martin's On Lake Ontario," entry for catalogue of American paintings, the Henry Art Gallery, The University of Washington, Seattle, Washington, forthcoming.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 176-177, entry on Homer Martin, Thompson’s Cascade, 1862.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, entry on Maria Martinez, Blackware Olla, possibly 1917.
“Jan Matulka: A Painter’s Eye in Gloucester & Rockport,” Cape Ann Historical Museum, Gloucester, Massachusetts, June 10-September 9, 2006.
Jan Matulka, exhibition catalogue, 117 pp, Thomas McCormick Fine Arts, Chicago, Illinois, pp. 16-48, Thomas McCormick Gallery, 2055 North Winchester, Chicago, May 1999.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p.p. 154, entry on Paul Meltsner, Paul, Marcella and Van Gogh (No. 2), circa 1940.
Masterworks of the Museum of Art, Carnegie Institute, Museum of Art, Carnegie Institute, Pittsburgh, November l985. Author of entries on works by Charles Meryon.
American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995, p. 42, entry on Jean-Francois Millet, Les Bucheerons, 1850.
American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995, entries on two works by Henry Moore: p. 71, Family Group, 1946; p. 71, Head and Clasped Hands II, 1982.
Entry on Thomas Moran, Smelting Works at Denver, 1892, in Diane De Grazia and Carter Foster, editors, Master Drawings from the Cleveland Museum of Art, The Cleveland Museum of Art in association with Rizzoli International Publications, catalogue of an exhibition which opened at the Cleveland Museum of Art (27 August—15 October 2000) and traveled to The Pierpont Morgan Library, New York (24 May—19 August 2001), pages 216-17.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 12, entry on Thomas Moran, Florida Scene, 1878-79.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, entries on three paintings by Thomas Moran: p. 93, The Grand Canal with the Doge’s Palace, 1889; pp. 105-106, Grand Canyon, 1912; p. 106, Green River, Wyoming, 1915.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, pp. 30-31, entry on Samuel Finely Breese Morse, Chancellor James Kent, circa 1823.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 60-61, entry on William Sidney Mount, The Power of Music, 1847.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991,pp. 63-64, entry on William Sidney Mount, Winding Up (Courtship), 1836.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 276-77, entry on Jerome Myers, New York, 36th Street East of Third Avenue, 1921.
American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995, p. 36, entry on Kenneth Noland, Thrust, 1963.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 142-43, entry on Georgia O’Keeffe, Cliffs Beyond Abiquiu, Dry Waterfall, 1943.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, entires on: p. 11, Georgia O’Keeffe, Pelvis with Moon, 1943; p. 28, Ranchos Church No. 1, 1929.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, entries on two watercolors by Georgia O’Keeffe: pp. 318-20, Portrait W, No II, 1917; pp. 320-21, Pink and Green Mountain, No. 1, 1917.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991,entries on two paintings by Georgia O’Keeffe: p. 172, Apple Blossoms, 1930; and p. 176, Yellow Jonquils, No. 3, 1936.
"O'Keeffe Masterpiece on Loan to Museum," Calendar of Events, Nelson-Atkins Museum of Art, May 1988, p. 2 and cover illustration.
Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 248-49, entry on Georgia O’Keeffe, Gate of Adobe Church, 1929.
American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, pp. 155-57, entry on Georgia O’Keeffe, Red Cannas, 1919.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, pp. 102-103, entry on Thomas P. Otter, On the Road, 1860.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 50, entry on Jules Pascin, Young Girl in a Hat, circa 1916.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 322-23, entry on Jules Pascin, Fiene, Ganso and Model, circa 1920.
“The Arrogant Connoisseur: Richard Payne-Knight, 1751-1824,” edited by Michael Clark and Nicholas Penny," (book review), Jim Springer Borck, general editor, The Eighteenth Century: A Bibliography, n.s. 8--for l982, A M S Press, New York, l982.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 44-45, entry on Charles Willson Peale, George Washington at the Battle of Princeton, about 1779.
"The Selected Papers of Charles Willson Peale and His Family," [book review], The Pennsylvania Magazines of History and Biography, vol. CXVIII, no. 4, October 1994, pp. 395-98.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, pp. 18-19, entry on Charles WIllson Peale, Catherine and Elizabeth Hall, 1776.
"Family Heirloom Enters the Museum" (Charles Willson Peale's Portrait of The Hall Children) Calendar of the Nelson-Atkins Museum of Art, May l99l, pp. 2-3, one illustration in black-and-white.
“Painter’s still-lifes seen as his anxieties: Book Review,” Review of Alexander Nemerev, The Body of Raphaelle Peale: Stil Life and Selfhood, 1812-1824, University of California Press, Brkeley, 2001, The Commercial Appeal, Memphis Tennessee, Sunday, October 28, 2001, section G, pp. 1, 2.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, pp. 52-54, entry on Raphaelle Peale, Venus Rising from the Sea—A Deception (After the Bath), circa 1822.
Made in America: Ten Centuries of American Art, Hudson Hills Press, New York, 1995. Author of entries on Raphaelle Peale, After the Bath, p. 40.
Excerpt from "Rembrandt or not Rembrandt?" The Psychological Corporation, Allied Health Aptitude Test, Allied Health Professions Admission Test, Pharmacy College Admission Test, Practical Nursing Entrance Exam, Registered Nursing Entrance Exam, Veterinary College Admissions Test, 1996-97
"The Pittsburgh Background of Pearlstein's Realism," Carnegie Magazine, May-June l984, pp. 20-24.
Initiated, co-produced, and contributed to script of the film, The Beauty of Damage: The Art of Christopher Pekoc, a Tom Ball film, Telos productions, Cleveland.
Statement for DVD of Tom Ball film on Chris Pekoc, The Beauty of Damage: The World of Christopher Pekoc.
Christopher Pekoc: The Beauty of Damage, exhibition catalogue, Convivium 33 Gallery, Cleveland, Ohio, December 2006, pages 7-23.
Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 4041, entry on Perugino, St. Augustine with Members of the Confraternity of Perugia, circa 1500.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 16, entry on Jane Peterson, St. Marks in Venice, n.d.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 102-103, entry on John F. Peto, Card Rack with a Jack of Hearts, about 1895.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, pp. 56-57, entry on John Frederick Peto, Books on a Table, circa 1900.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 133-34, entry on George Petty, “If Your Husband Can’t Sleep Why Don’t You Pull Your Shades Down,” 1935.
American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995, entries on works by Pablo Picasso: p. 56, Au Café, 1901; p. 54, The Frugal Repast; p. 54, Head of a Woman (Fernande); p. 54, La Guitare, 1917; p. 57, The Red Foulard, 1924; p. 55, L’Atelier, 1956.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995. Entries on works by Pablo Picasso.
“The Piccirilli Brothers: A Family of Master Sculptors,” in Freeing the Angel from the Stone: The Contribution of the Piccirilli Brothers to Sculpture, 1890 to the Present, catalogue/ brochure for the Italian-American Museum, New York, October 19 through December 15, 2005, pp. 11-15.
"Pissarro Painting Added to Museum Impressionist Collection," Calendar of Events, The Nelson-Atkins Museum of Art, Kansas City, May l985, 2 illustrations in black-and-white.
“Decoding Jackson Pollock,” Smithsonian Magazine, December 2009, pp. 58-60, two illustrations in color and three in black-and-white. When posted on the Smithsonian website, this story broke all previous records for the site, getting over 1.2 million visitors in a single day and over 600 posted comments.
Tom and Jack: The Intertwined Lives of Thomas Hart Benton and Jackson Pollock, Bloomsbury Press, New York, 2009.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 146-47, entry on Jackson Pollock, Number 5, 1950, 1950.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 35, entry on Jackson Pollock, Night Mist, 19
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 278-79, entry on Jackson Pollock, Over the Hill, 1933-34.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 149, entry on Henry Varnum Poor, Dead Pheasant, circa 1935.
"Fairfield Porter: Why the Fuss?" Carnegie Magazine, March-April l984, pp. 8-l0, 2 illustrations in color and l in black-and-white.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 131, entry on Edward Potthast, Summer Joys, circa 1910.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 16, entry on Maurice Prendergast, Figures on the Quay, Dinard, 1907.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, entry on two watercolors by Maurice Prendergast: pp. 102-04, Side Canal, Venice, circa 1898-99; pp. 104-105, Rocky Cove, Marblehead, circa 1920-23.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 38, entries on two painting by Maurice Prendergast: pp. 143-144, Castle Island, circa 1912-14; pp. 144-45, Portrait of a Boy, circa 1912-15.
Art and Artists: International Dictionary of Art and Artists, St. James Press, Chicago and London, l990, vol. I, Artists, pp., 64-66, 79-80, 394-396, 669-670, 788-790, 895-97; vol. II, Art, pp. 744, 745, 751, 930-31, 942-43. Biography and entry on Maurice Prendergast's On the Beach, No. 3.
A Bountiful Decade: Selected Acquisitions l977-l987 The Nelson-Atkins Museum of Art, [exhibition catalogue], October l987, author of entries on Maurice Brazil Predergast.
"Prendergast Painting Donated to Museum," Calendar of Events, The Nelson-Atkins Museum of Art, May, l987.
Masterworks of the Museum of Art, Carnegie Institute, Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 234-35, entry on Maurice Prendergast, Picnic, circa 1914-15.
American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, pp. 129-133, entires on Maurice Brazil Prendergast, Woman on a Garden Path, circa 1895, The Picnic, circa 1902, and Swampscott Beach, circa 1917.
Review of Paul Manship by Harry Rand, The Burlington Magazine, January l990, pp. 46-47.
"In Search of Rembrandt," Smithsonian Magazine, December 1995, pp. 82-91, 7 illustrations in color and 4 in black-and-white.
Masterworks of the Museum of Art, Carnegie Institute, Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 234-35, entry on Rermbrandt Harmensz. Van Rijn, Christ with the Sick Around Him, Receiving Little Children (“The Hundred Guilder Print”), circa 1649.
"If Not Rembrandt Then His Cousin?" The Art Bulletin, LXVI, no. 3, September l984, pp. 427-44l, 3l illustrations in black-and-white.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, entries on two paintings and a sculpture by Frederic Remington: pp. 113-114, Teaching a Mustang to Pack Dead Game, 1890; pp. 114-115, Hostiles Watching the Column (The Scout), circa 1897; p. 116, The Bronco Buster, 1895, cast after 1918..
"Remington Painting Added to Collection," Calendar of Events, February l987, The Nelson-Atkins Museum of Art, Kansas City, Missouri, l-2.
American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, pp. 85-87, entries on Frederic Remington, Texas Type, 1888, and An Incident of the March, 1891.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 34, entry on Larry Rivers, French Vocabulary Lesson, 1978.
Boardman Robinson: American Muralist and Illustrator, 1876-1952, [exhibition catalogue], Colorado Springs Fine Arts Center, Colorado Springs, September 21, 1996
--January 12, 1997, author and curator of the exhibition, 25 pp. 31 black-and-white and 11 color illustrations.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 126, entry on Theodore Robinson, The Duck Pond, circa 1891.
“Rediscovering Norman Rockwell,” American Artist, October 2002, pp. 52-57, 75-76. 197.
Review of Laura Claridge, Norman Rockwell: A Life, Random House, New York, 2001, for The Commercial Appeal, Memphis, Tennessee.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 51, entry on Auguste Rodin, La Cathedrale, n.d.
"Millard F. Rogers, Jr., Sketches and Bozzetti by American Sculptors, l800-l950” [book review], The Burlington Magazine, December 1990, pp. 884-885.
Handbooks of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri, pp. 70-71, entry on John Rogers, Checkers Up at the Farm, patented 18
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 50, entry on Georges Roualt, Group of Rustics, 1911.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 63-65, entry on Samuel Worcester Rowse, Portrait of a Young Girl, n.d.
"Rubens was artist, scholar, diplomat, and a lover of life," Smithsonian Magazine, October 1993, pp. 58-69, cover illustration and 9 illustrations in color. Republished by the SIRS Renaissance electronic database for CD-Rom and internet online, December 1997.
American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, pp. 182-84, entry on Morgan Russell, Study for “Synchromy in Green,” circa 1912-13.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 94-95, entry on Albert Pinkham Ryder, The Race Track (Death on a Pale Horse, about 1896-1908.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, pp. 45-46, entry on Augustus Saint-Gaudens, Robert Louis Stevenson, 1887.
Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 228-229, entry on Victory, 1912.
“Paul Sample’s Barber Shop,” Calendar of the Cleveland Museum of Art, November 2002, pp. 8-9, one illustration in color.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, pp. 132-133, entry on Birger Sandzen, Long’s Peak, Colorado, 1938.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 106-07, John Singer Sargent, Portrait of Lisa Colt Curtis, 1898.
Made in America: Ten Centuries of American Art, Hudson Hills Press, New York, 1995. Author of entry on John Singer Sargent, Portrait of Mrs. Cecil Wade, p.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, entries on three paintings by John Singer Sargent: pp. 40-42, Mrs. Cecil Wade (Frances Frew Wade), 1886; p. 42, A Lady, 1880; and pp. 43-44, Francisco Bernareggi, 1907; p. 124, Mussel Gatherers, circa 1877; Study for “Spanish Dance,” circa 1883..
A Bountiful Decade: Selected Acquisitions l977-l987 The Nelson-Atkins Museum of Art, [exhibition catalogue], entries on John Singer Sargent.
"John Singer Sargent's Portrait of Francisco Bernareggi," Calendar of Events, April l987, The Nelson-Atkins Museum of Art, Kansas City, Missouri, 3, one illustration in black-and-white.
"Mrs. Cecil Wade--Sargent Masterpiece Given to Museum," Calendar of Events, November l986, The Nelson-Atkins Museum of Art, Kansas City, Missouri, l-2, 2 illustrations in black-and-white and color poster as insert.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 132-33, entry on Augusta Savage, Gamin, 1929-30.
American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, pp. 184-87, Composition, circa 1915-16.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 124-125, entry on Viktor Schrekengost, New York on Christmas Eve or “Jazz” Bowl, about 1930.
“Viktor Schreckengost 1906-2008,” Obituary for Modernism Magazine, Vol. 11, no. 1, Spring, 2008, page 25.
American Da Vinci: Victor Schreckengost and Modern Design, Tidemark, in partnership with the Viktor Schreckengost Foundation, Connecticut, July 2006.
American Da Vinci: Viktor Schreckengost, to be published by Tidemark Press, circa June 2006.
“Viktor Schreckengost at 99,” Modernism Magazine, pp. 72-83, vol. 8, no. 3, Fall 2005, 14 illustrations in color and 6 in black-and-white.
“Viktor Schreckengost’s Dinnerware Designs: How an Industrial Designer Thinks,” Journal of the American Art Pottery Association, July-August 2004, pp. 16-20.
“Viktor Schreckengost,” acceptance speech for the Visual Arts Award, Northern Ohio Live Awards, Cleveland State Theater, Cleveland, Cleveland Artists Foundation, Member’s Newsletter, June 2002, p. 6.
“Viktor Schreckengost, American Design Hero,” Modernism Magazine, Spring 2001, vol. 4, no. 1, pp. 34-39, 12 illustrations in color.
“Cocktails and Cigarettes” (note on Schreckengost exhibition and punch bowl by Schreckengost), Member’s Magazine, Cleveland Museum of Art, December 2000.
“Viktor Schreckengost and 20th-Century Design,” Member’s Magazine, Cleveland Museum of Art, November 2000.
Viktor Schreckengost and 20th-Century Design, book/catalogue (50,000 words) for an exhibition at the Cleveland Museum of Art, November 12, 2000--February 2, 2001, Cleveland Museum of Art, Cleveland, OH, distributed by the University of Washington Press.
American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995, p. 36, entry on Ben Shahn, I Never Dared to Dream, 1960.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 148, entry on Frederick Shane, Portrait, circa 1934.
Fred Shane [exhibition catalogue], The Nelson-Atkins Museum of Art, September l988, 47 pp., l4 plates in color, and 43 illustrations in black-and-white.
“Charles Green Shaw, 1892-1974, “A Portrait in Words,” text for Charles Green Shaw (1892-1974): the 1930s & 1940s, exhibition catalogue, D. Wigmore Fine Arts, Inc. 730 Fifth Avenue, Suite 602, New York, NY 10019, pp. 4-11.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 128-29, entry on Charles Sheeler, Church Street El, 1920.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 27, entry on Charles Sheeler, Shadow and Substance, 1950.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 177, entry on Charles Sheeler, Conference No. 1, 1954.
American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, pp. 164-167, entry on Charles Sheeler, Tulips, 1931.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 18, entry on Everitt Shinn, Concert Stage, 1905.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 137-38, entry on Everitt Sinn, A Penny Shy, circa 1913.
American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995. [/ 47, entry on Paul Signac, La Riviere, n.d.
"Byron Sletten: Recent Works," (exhibition catalogue) Virginia Miller Galleries, Coral Gables, Florida, January 8-February 9, l982.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 110-111, entry on John Sloan, A Woman’s Work, 1912.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 17, entires on two painting by on John Sloan: p. 17, Yolanda in a Gray Tippet, circa 1909-1910; p. 31, Nude and Chief Blanket, 1932.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, entries on two works by John Sloan: pp. 139-141, Da Poleetica Boss, 1912; pp. 142-44, Playing to Empty Seats, 1913.
Art and Artists: International Dictionary of Art and Artists, edited by James Vinson with a foreword by Cecil Gould, St. James Press, Chicago and London, l990, vol. I, Artists, pp., 64-66, 79-80, 394-396, 669-670, 788-790, 895-97; vol. II, Art, pp. 744, 745, 751, 930-31, 942-43. Biography and entry on John Sloan's The Coffee Line.
Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 230-31, entry on John Sloan, The Coffee Line, 1905.
"John Sloan's The Coffee Line," Carnegie Magazine, LVII, no. 6, November-December, l984, l9-24, 6 illustrations in black-and white.
Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 296-97, entry on David Smith, Cubi XXIV, 1964.
American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, pp. 216-222, entries on David Smith, Figure Study, March 18, 1953, 1953; 11-5-54, 1954; and August 12, 1961, 1961.
Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 272-73, entry on W. Eugene Smith, Smoky City (Photograph), 1955-57.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 95, entry on William Sontag, Evening in the Mountains, n.d.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 151, entry on Eugene Speicher, Pigtails (Portrait of a Young Girl)
Henry Adams, The Beal Collection of American Art, The Carnegie Museum of Art, Pittsburgh, Pennsylvania, 1994, discussion of Benton Spruance, pp. 47, 49.
American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995, p. 36, entry on Frank Stella Untitled (Bonin Night Owl), 1980.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 324-5, entry on Joseph Stella, Study for Brooklyn Bridge, 1918.
American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, pp. 144-47, entries on Joseph Stella, Bridge, circa 1908, Old Man Sleeping in a Field, circa 1908, and Collage No. 8, circa 1922.
“Thomas Stevenson’s Landscape Sketchbook,” Kresge Art Museum Bulletin, Vol VIII, 1999, Michigan State University, East Lansing, Michigan, pp. 6-11.
“Greg Strachov: Watercolors,” exhibition brochure, The Butler Institute of American Art, March, 1999.
American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995, entries on three photographs by Paul Strand: p. 28, Wall Streeet, New York, 1915; p. 28, Wire Wheel, New York, 1930; and pl 29, St. Francis Church, Ranchos de Taos, New Mexico, 1931
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 46-47, entry on Gilbert Stuart, Portrait of Baron FizGibbon, 1789.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, entries on two painting by Gilbert Stuart: pp. 26-28, The Right Honorable John Foster, 1791; pp. 28-29, Dr. William Aspinwall, circa 1814-15.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, pp. 32-33, entry on Thomas Sully, Mrs. James Gore King (Sarah Robers King), Wife of “The Gold Beater,” 1831.
"Timothy J. Garvey, Public Sculptor: Lorado Taft and the Beautification of Chicago" [book review], The Winterthur Portfolio, vol. XXIV, nos 2/3, summer/autumn l989, pp. 200-20l.
"Allen Weller, Lorado In Paris: The Letters of Lorado Taft, l880-l885" [book review], The Winterthur Portfolio, XXI, nos 2/3, Summer/Autumn, l986, 209-2ll.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 71, entry on Pavel Tcheletchew, Head, 1949.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 326-28, entry on Pavel Tchelitchew, Brigita Hartwig (Vera Zorina), circa 1939-40.
"Daniel Terra and American Art: From Private Collector to Public Champion," Portfolio, V, no. l, January-February l983, pp. 48-53, 7 illustrations in color, l in black-and-white.
American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995, p. 34, entry on Mark Tobey, The Avenue, 1954.
“Paul Travis (1891-1975),” American Art Review, February 2002, Vol. XIV, No. 1, pp. 138-145.
Paul Travis, 1891-1975 [exhibition catalogue], Cleveland Artists Foundation, Cleveland, Ohio, December 2001.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 130, entry on John H. Twachtman, Harbor View Hotel, 1902.
Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 208-09, entry on John H. Twachtman, River in Winter, circa 1890-1900.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 145-46, entry on Elihu Vedder, The Lion of the Nile, 1888.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, pp. 122, entry on View of Subiaco, circa 1878, attributed to Elihu Vedder.
Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985. Author of entries on works by Simon Vouet.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, pp. 33-34, entry on Samuel Lovett Waldo, assisted by William Jewett, Mr. Hutchins and Mrs. Hutchins, circa 1835.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 37, entry on Andy Warhol, Flowers, n.d. .
American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, pp. 214-16, entries on Andy Warhol, Untitled (illustration for All the King’s Men by Robert Penn Warren), 1948-49.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 42, entry on Benjamn West, Portrait of Elizabeth Shewell West and Her Son Raphael, about 1770.
Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, entries on two painting by Benjamin West: pp. 19-20, Mr. And Mrs. John Custance, 1778; and p. 21, Raphael West and Benjamin West, Jr., Sons of the Artist, circa 1796; pp. 60-61, Venus Comforting Cupid (Cupid Stung by a Bee), circa 1796..
Art and Artists: International Dictionary of Art and Artists, edited by James Vinson with a foreword by Cecil Gould, St. James Press, Chicago and London, l990, vol. I, Artists, pp., 64-66, 79-80, 394-396, 669-670, 788-790, 895-97; vol. II, Art, pp. 744, 745, 751, 930-31, 942-43. Author of biography on Benjamin West.
"Ann Uhry Abrams' The Valiant Hero: Benjamin West and Grand-Style History Painting" [book review], The Burlington Magazine, CXXVIII, no. 999, June l986, 435-436.
American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, pp. 28-31, entry on Benjamin West, Entrance to the Terrace at Windsor Castle, circa 1795-1805.
Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 160-161, entry on Benjamin West, Venus Lamenting the Death of Adonis, 176
Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 196-97, entry on James McNeill Whistler, Arrangement in Black: Pablo de Sarasate, 1884.
"Olaf Wieghorst's 'Indian Trail," Calendar of Events, October l986, The Nelson-Atkins Museum of Art, Kansas City, Missouri.
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 138-39, entry on Grand Wood, January, 1940.
“The Structure of Grant Wood’s Illustrations to Main Street,” in Grant Wood’s Illustrations to Main Street, University Museum, Ames, Iowa.
“January by Grant Wood,” Calendar of the Cleveland Museum of Art, April 2002, pp, 10-11, one illustration in color.
Handbooks of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, pp. 85, entry on Jacob C. Ward, Natural Bridge, Virginia, circa 1835.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 111, entry on Frank Wilkin, Nikkanochee, Prince of Econchatti, A Young Seminole Indian, Son of EConchattimico, King of the Red Hills, 1841.
“Wyeth’s World. After seven decades, critics still differ over Andrew Wyeth’s stature as an artist. A new exhibition stirs the debate,” Smithsonian, June 2006, pages 84-92.
Henry Adams, special to the Plain Dealer, “Why ask Wyeth? Well, artist speaks eloquently on his work,” The Cleveland Plain Dealer, Sunday, May 28, 2006, Sunday Arts page J5.
Andrew Wyeth: Master Drawings from the Artist’s Collection, Brandywine River Museum, Chadds Ford, Pennsylvania, 2006, 112 pages, 51 illustrations in black-and-white.
“Seven Secrets of Andrew Wyeth’s Technique,” American Artist: Drawing, Spring 2004, pp. 336-347, 1 illustration in color and 6 in black-and-white.
American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995, front matter page, entry on Andrew Wyetyh, Pirate Country, 1939.
American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, entry on two works by Andrew Wyeth: pp. 192-93, Old Orchard, Meadow, 1957; pp. 196-97, Study for “Battleground,” 1981.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, two entries on paintings by Andrew Wyeth: p. 159, Thin as Vanity, 1981; pp. 160-161, Battleground, 1981.
American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 30, entry on N. C. Wyeth, Friar Tuck, 1933.
"Wyeth's Nightfall on Loan to Museum," [painting by N. C. Wyeth], Calendar of the Nelson-Atkins Museum of Art, January 1993, p. 4.
"Stephen Scott Young," Watercolor: An American Artist Publication, Summer 1997 Issue, pp. 70-78, 127-8, cover illustration and ten illustrations in color
